Capturing Portraits Without Faces with @the69th.
“‘Why is the person in the portrait always turned away from you’, everyone asks me,” says Russia Instagrammer Anna Pavlova (@the69th), whose #portraitwithoutface hashtag series features photos lacking faces. “My photos have people who don’t show their faces, but there are still people in the shot,” she explains. “Portraits without faces are like an open-ended romance. Everyone can think what they like about the shot. Is this person in the portrait happy or not? Maybe the person is excited or just calmly enjoying the world around.” Want to try taking a #portraitwithoutface shot of your own? “Use different angles and props for the shot,” Anna advises. “For example, use green leaves, basketball balls or matte glass to cover the face in the shot.” She adds, “Do not forget about backgrounds such as a picturesque landscape or a colorful wall—there are a lot of angles worth exploring to make your faceless portrait unique!”
A faceless adventure….
Senegal, Mauritania, Mali, Burkina Faso, Niger, Nigeria, Chad, Sudan, Eritrea, Ethiopia, and Djibouti. Those are the countries. It will be drought-resistant species, mostly acacias. And this is a fucking brilliant idea you have no idea oh my Christ
This will create so many jobs and regenerate so many communities and aaaaaahhhhhhh
more info here: http://en.wikipedia.org/wiki/Great_Green_Wall
it’s already happening, and already having positive effects. this is wonderful, why have i not heard of this before? i’m so happy!
United we shall rise against all adversities… 1❤️… 1 Nation… 1 Destiny…
Know Safa Idriss Nour (then & now)
Super model Waris Dirie Somali model insisted Safa Idriss Nour, the child who played her suffering FGM in biopic, had to be spared the same fate
When she was three years old, Safa Idriss Nour received something no girl in her slum in Djibouti had been given before – a signed contract from her parents stating they would never inflict genital mutilation on her.
In Djibouti, in the Horn of Africa, an estimated 98% of girls and women have undergone female genital mutilation (FGM), a procedure that usually involves cutting off the clitoris and some of the labia, so this was a remarkable event. Equally remarkable is the story of how Nour came to get the contract and, indeed, of her battle to ensure that her parents stuck to the terms of the deal.
Nour starred in a film adaptation of Desert Flower, the international bestselling autobiography by Somali model and anti-FGM activist Waris Dirie. Published in 1997, her first book follows Dirie from her birth into a nomadic family in Somalia – from whom she fled, aged 13, after her father attempted to marry her to a 60-year-old man – to her becoming an international supermodel.
In 2007, Nour was asked to play the young Dirie as she undergoes FGM – on condition that her parents sign a contract agreeing never to perform the same ritualistic operation on her (keep reading)
Some images from the protest at the County Prosecutor’s Office in Clayton, Missouri.
The ladies in the matching blue shirts came all the way from Nashville. The young man in the last image was going full ACAB and folks had to calm him down and inform him that it wasn’t the best time for such an attitude. It was a very peaceful, but very passionate gathering.
More talk about justice and equality, about institutionalized racism.
More silence from the police.
This solidarity gives me chills!!! I just wish that we can stay together and make some serious changes to prevent this from ever happening again!!!
United we can fight the injustice…
Autum Ashante was accepted into the University of Connecticut at age 13.
Stephen R. Stafford II entered Morehouse College at the age 11 with three majors.
Tony Hansberry II at age 14 developed a time reducing method for hysterectomies at Shands Hospital
Honor them by sharing this post.
protect the babies
Enough is enough… 😢😢
"Image Credit: Carol Rossetti
When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become.
Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy.
"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."
Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet.
"I see those situations I portray every day," she wrote. "I lived some of them myself."
Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.
One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.
It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.
"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."”
From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.
Because you have the right of choice… 👍👍